How Communication Affects Relationships Essay Example for Free

How Communication Affects Relationships Essay Communication affects relationships at work in a big way. Communicating in a positive manner will give me a very different response to communicating in a negative manner, it is also important that I alter the way i communicate dependant on who I am speaking to as everybody will respond differently to different styles and variations of communication. One of the parts of my job is to communicate with my colleagues. I must insure that as the environment I work in can and often is stressful, that I speak in a calm manner and that I am clear and concise. By doing this I lessen the chance of information that I passed on being misheard or misunderstood and by being calm I have a reassuring effect on my colleagues. When speaking to families of patient I must insure that I an understanding and come across friendly and professional as a good relationship with a patient’s family can have positive effects on the patients because it is important that families understand the patients treatment plan and how they can have positive influence on the patient. I must communicate with the patients in the most effective way possible. As a health Care worker I need to be able to build trust and a good relationship with those I look after. It is important that I use variation of communication skills to relay what I am trying to get across, this will help the patient understand what is be communicated and in turn will help the patient communicate there needs.

Searching For Meaning in Virginia Woolfs Between the Acts Essays

Searching For Meaning in Virginia Woolf's Between the Acts I wanted to examine the states at the limits of language; The moments where language breaks up...I wanted to examine the language which manifests these states of instability because in ordinary communication--which is organized, civilized--we repress these states of incandescence. Creativity as well as suffering comprises these moments of instability, where language, or the signs of language, or subjectivity itself are put into "process". (Julia Kristeva) Any attempt to study the complex layers of the human endeavor of "meaning-making" should include an examination of those places where the spoken word (or articulation itself) "breaks up" or fails. Woolf's Between the Acts is itself a study of the struggle of relying on language to act as the sole currency of significance in a world which refuses to be contained. The novel does in fact put language, the signs of language, and subjectivity into "process". Consequently, "meaning" becomes complicated as it often falls outside, (but not entirely), of ordinary discourse and speech. "Meaning" wedges itself in between words; it is found in the silences between two characters, in the interruption of a speech by wind, in the social taboos which make the unsayable so much louder than the said. " kind of meta-discourse emerges in Between the Acts, one which pushes the conventional foreground (i.e. the characters themselves and their conversations) of a novel into the background. This inversion p laces humans in a broad dialogue that the characters themselves, (and even we the readers), may fail to recognize as a dialogue because it does fall outside of normative, controlled language. It is in this larger context of silences an... ...ess process. In the traditional narrative of resolution, there is a sense of problem solving...a kind of ratiocinative or emotional teleology... "What will happen" is the basic question. In the modern plot of revelation, however, the emphasis is elsewhere, the function of the discourse is not to answer the question or even to pose it...It is not that events are resolved (happily or tragically) but rather that a state of affairs is revealed. (Seymour Chatman) Works Cited Julia Kristeva, 'A Question of Subjectivity--An Interview',Women's Review, no. 12 (1986), pp. 19-21 Ferdinand de Saussure,From Course in General Linguistics, Modern Literary Theory ,Third Ed. (1996),Ed. Rice and Waugh, pp. 8-15 Jacques Derrida, 'Structure, Sign and PLay in the Discourse of the Human Sciences', Modern Literary Theory ,Third Ed. (1996),Ed. Rice and Waugh, pp.176-190

Alain Locke’s The New Negro: Aspects of Negro Culture Essay

Alain Locke, in â€Å"The New Negro,† suggests that the â€Å"old Negro† is really nothing more than a myth or an ideal. He talks about the fact that there are aspects of Negro culture – such as the spiritual – that were beaten down but were accepted when finally allowed to emerge. Locke then takes a look at some trends, including the tendency toward moving â€Å"city-ward,† and says these are not because of poor or even violent conditions in the south nor of the industry in the north. Instead, he attributes this migration to â€Å"a new vision of opportunity. † Locke then points out that the Negro is willing to work for better conditions and that this migration is not only toward the city and away from the country life, but also away from the old ways and toward the new. New Negro is a term popularized during the Harlem Renaissance implying a more outspoken advocacy of dignity and a refusal to submit quietly to the practices and laws of Jim Crow racial segregation. The term â€Å"New Negro† was made popular by Alain LeRoy Locke. The New Negro,† Locke described the landscape of Harlem as filled by different notions of what it meant to be a black American. -Old Negro† as â€Å"more myth than a man† and the blind acceptance of this â€Å"formula† against ideas of â€Å"the thinking Negro† and the true diversity of actual human beings This move is significant because Locke uses this idea to create space for a more accurate representation of the Negro community in light of the antecedent ideological poles of the moral leadership and imaged blackness. Locke’s primary goal in the essay â€Å"The New Negro† is to migrate from monolithic notions of an â€Å"Old Negro†, as well as from the exhausted frameworks of bourgeois intellectual black leadership toward an idea that gives creative agency and credibility to the â€Å"rank and file† of Negro life (Locke, New Negro: 6). -New Negro† as a means of rediscovering individuality of voice in the context of community. –// In a 1925 essay entitled â€Å"The New Negro,† Alain Locke described this transformation as an embracing of a new psychology and spirit. Locke felt that it was imperative for the â€Å"New Negro† to â€Å"smash† all of the racial, social and psychological obstacles that had previously kept the Black man from reaching his goals. –â€Å"The intelligent Negro of today is resolved not to make discrimination an extenuation for his shortcomings in performance, individual or collective; he is trying to hold himself at par, neither inflated by sentimental allowances nor depreciated by current social discounts â€Å"By shedding the old chrysalis of the Negro problem we are achieving something like a spiritual emancipation â€Å"Negro life is not only establishing new contacts and founding new centers, it is finding a new soul â€Å"So for generations in the mind of America, the Negro has been more of a formula than a human being –a something to be argued about, condemned or defended, to be â€Å"kept down,† or â€Å"in his place,† or â€Å"helped up,† to be worried with or worried over, harassed or patronized, a social bogey or a social burden? † â€Å"In the intellectual realm a renewed and keen curiosity is replacing the recent apathy; the Negro is being carefully studied, not just talked about and discussed. In art and letters, instead of being wholly caricatured, he is being seriously portray eel and painted. Alain Locke, in â€Å"The New Negro,† suggests that the â€Å"old Negro† is really nothing more than a myth or an ideal. He talks about the fact that there are aspects of Negro culture – such as the spiritual – that were beaten down but were accepted when finally allowed to emerge. Locke then takes a look at some trends, including the tendency toward moving â€Å"city-ward,† and says these are not because of poor or even violent conditions in the south nor of the industry in the north. Instead, he attributes this migration to â€Å"a new vision of opportunity. † Locke then points out that the Negro is willing to work for better conditions and that this migration is not only toward the city and away from the country life, but also away from the old ways and toward the new. New Negro is a term popularized during the Harlem Renaissance implying a more outspoken advocacy of dignity and a refusal to submit quietly to the practices and laws of Jim Crow racial segregation. The term â€Å"New Negro† was made popular by Alain LeRoy Locke. The New Negro,† Locke described the landscape of Harlem as filled by different notions of what it meant to be a black American. -Old Negro† as â€Å"more myth than a man† and the blind acceptance of this â€Å"formula† against ideas of â€Å"the thinking Negro† and the true diversity of actual human beings This move is significant because Locke uses this idea to create space for a more accurate representation of the Negro community in light of the antecedent ideological poles of the moral leadership and imaged blackness. Locke’s primary goal in the essay â€Å"The New Negro† is to migrate from monolithic notions of an â€Å"Old Negro†, as well as from the exhausted frameworks of bourgeois intellectual black leadership toward an idea that gives creative agency and credibility to the â€Å"rank and file† of Negro life (Locke, New Negro: 6). -New Negro† as a means of rediscovering individuality of voice in the context of community. –// In a 1925 essay entitled â€Å"The New Negro,† Alain Locke described this transformation as an embracing of a new psychology and spirit. Locke felt that it was imperative for the â€Å"New Negro† to â€Å"smash† all of the racial, social and psychological obstacles that had previously kept the Black man from reaching his goals. –â€Å"The intelligent Negro of today is resolved not to make discrimination an extenuation for his shortcomings in performance, individual or collective; he is trying to hold himself at par, neither inflated by sentimental allowances nor depreciated by current social discounts â€Å"By shedding the old chrysalis of the Negro problem we are achieving something like a spiritual emancipation â€Å"Negro life is not only establishing new contacts and founding new centers, it is finding a new soul â€Å"So for generations in the mind of America, the Negro has been more of a formula than a human being –a something to be argued about, condemned or defended, to be â€Å"kept down,† or â€Å"in his place,† or â€Å"helped up,† to be worried with or worried over, harassed or patronized, a social bogey or a social burden? † â€Å"In the intellectual realm a renewed and keen curiosity is replacing the recent apathy; the Negro is being carefully studied, not just talked about and discussed. In art and letters, instead of being wholly caricatured, he is being seriously portray eel and painted. Alain Locke, in â€Å"The New Negro,† suggests that the â€Å"old Negro† is really nothing more than a myth or an ideal. He talks about the fact that there are aspects of Negro culture – such as the spiritual – that were beaten down but were accepted when finally allowed to emerge. Locke then takes a look at some trends, including the tendency toward moving â€Å"city-ward,† and says these are not because of poor or even violent conditions in the south nor of the industry in the north. Instead, he attributes this migration to â€Å"a new vision of opportunity. † Locke then points out that the Negro is willing to work for better conditions and that this migration is not only toward the city and away from the country life, but also away from the old ways and toward the new. New Negro is a term popularized during the Harlem Renaissance implying a more outspoken advocacy of dignity and a refusal to submit quietly to the practices and laws of Jim Crow racial segregation. The term â€Å"New Negro† was made popular by Alain LeRoy Locke. The New Negro,† Locke described the landscape of Harlem as filled by different notions of what it meant to be a black American. -Old Negro† as â€Å"more myth than a man† and the blind acceptance of this â€Å"formula† against ideas of â€Å"the thinking Negro† and the true diversity of actual human beings This move is significant because Locke uses this idea to create space for a more accurate representation of the Negro community in light of the antecedent ideological poles of the moral leadership and imaged blackness. Locke’s primary goal in the essay â€Å"The New Negro† is to migrate from monolithic notions of an â€Å"Old Negro†, as well as from the exhausted frameworks of bourgeois intellectual black leadership toward an idea that gives creative agency and credibility to the â€Å"rank and file† of Negro life (Locke, New Negro: 6). -New Negro† as a means of rediscovering individuality of voice in the context of community. –// In a 1925 essay entitled â€Å"The New Negro,† Alain Locke described this transformation as an embracing of a new psychology and spirit. Locke felt that it was imperative for the â€Å"New Negro† to â€Å"smash† all of the racial, social and psychological obstacles that had previously kept the Black man from reaching his goals. –â€Å"The intelligent Negro of today is resolved not to make discrimination an extenuation for his shortcomings in performance, individual or collective; he is trying to hold himself at par, neither inflated by sentimental allowances nor depreciated by current social discounts â€Å"By shedding the old chrysalis of the Negro problem we are achieving something like a spiritual emancipation â€Å"Negro life is not only establishing new contacts and founding new centers, it is finding a new soul â€Å"So for generations in the mind of America, the Negro has been more of a formula than a human being –a something to be argued about, condemned or defended, to be â€Å"kept down,† or â€Å"in his place,† or â€Å"helped up,† to be worried with or worried over, harassed or patronized, a social bogey or a social burden? † â€Å"In the intellectual realm a renewed and keen curiosity is replacing the recent apathy; the Negro is being carefully studied, not just talked about and discussed. In art and letters, instead of being wholly caricatured, he is being seriously portray eel and painted. Alain Locke, in â€Å"The New Negro,† suggests that the â€Å"old Negro† is really nothing more than a myth or an ideal. He talks about the fact that there are aspects of Negro culture – such as the spiritual – that were beaten down but were accepted when finally allowed to emerge. Locke then takes a look at some trends, including the tendency toward moving â€Å"city-ward,† and says these are not because of poor or even violent conditions in the south nor of the industry in the north. Instead, he attributes this migration to â€Å"a new vision of opportunity. † Locke then points out that the Negro is willing to work for better conditions and that this migration is not only toward the city and away from the country life, but also away from the old ways and toward the new.

Logical Structure or Theoretical Framework - 2746 Words

Logical Structure or Theoretical Framework Problems do not exist in nature but in the minds of people. This can be seen from an examination of the definition of problem: problems stem from the juxtaposition of factors which results in a perplexing or enigmatic state of mind (a cognitive problem), an undesirable consequence (a psychological or value problem), or a conflict which obscures the appropriate course of action (a practical problem). Cognitions, values and practices are attributes of persons, not the objective world (whatever that is). Problems cannot be articulated except within a conceptual system. No inquirer can investigate a problem from all perspectives simultaneously. And that is what a logical structure or†¦show more content†¦It makes it possible to generate a relatively complex set of objectives and questions; it provides a basis for including and excluding literature and research that is actually related to the inquiry by identifying the variables of greatest interest and concern; and it provides f ocus to the inquirers procedural planning and choices from initial design selection, through instrument development or adoption, to the organization, analysis and interpretation of data, e.g., research design, statistical tests, making sense of empirical findings. 4. Perhaps most important is the impact of the explicit theoretical structure on subsequent inquiry in the same area. The investigation no longer hangs loose but becomes part of a line or tradition of inquiry which other researchers can check, replicate or build upon. Knowledge growth in a field becomes an additive phenomenon of increasingly useful structures or concepts with which inquirers can work. 5. Without a clear explication of the problem and a workable perspective with which to view it, it is likely that the research project will be flawed by uncontrolled extraneous variables, overlooked variables, faulty instruments, haphazard procedures and the like. You cant get there from here without taking this step. A failure in this regard is why so many graduate students end up with a procedural plan that runs them in circles. Defining a Logical Structure or Theoretical Framework A logical structure orShow MoreRelatedA Brave New World For International News1419 Words   |  6 Pagescom and their print-based counter parts to investigate determinants of international news reporting. 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